©2010 P'Clay® and P'Slip® / US Patent Number 5,726,111. Because there are variables beyond my control (selections clays, papers, water, mixing errors and etc) always pre test samples and use at your own risk.
Garry Williams (Canada)
Leslie Lee (USA)
Elzbieta Grosseova
artworks
diverse possibilities
a practical medium that serves human imagination
An diverse number of surface textures and treatments are available for works in paperclay ceramic sculpture. Brian Gartside, (New Zealand) tall forms, used as a free standing non fired canvas.
Click on category list at left to get a sense of the uses to which artists have explored so far. Most all works shown could not survive the making process or finished as quickly or efficiently if they had been attempted in traditional ceramic clays because there would be too high of risk of loss due to of cracking, warping, difficulties with safe transport, and drying, among other factors in tradtional clay..
Rosette Gault
Dan Keegan
Wali Hawes
Karen Hsvabo
